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Awofeso made the artwork soon after arriving in the UK from Lagos, highlighting how individuals merge into the masses in megacities, but reminiscent too of the isolation it’s possible to feel among so many strangers.Chessy Comments and Comments with Links will be deleted immediately upon our review. In Avalanche of Calm (2022) by Lagos-born artist Abdulrazaq Awofeso, several wooden figures of different sizes litter the floor of one of the exhibition rooms, as painted wooden clouds dangle from the ceiling. Despite its specificity, the exhibition endeavours to showcase Nigeria and its diaspora’s multifaceted experiences with the city. It perfectly sets the tone for Lagos, Peckham, Repeat: Pilgrimage To the Lakes, the new exhibition at South London Gallery, held across both its gallery spaces.Ĭo-curated by Folakunle Oshun, founder and director of the Lagos Biennial, the show explores the profound relationship between Nigeria and the UK, honing in on the sizeable Nigerian community living in South London (particularly Peckham, known as ‘Little Lagos’ to its locals). “On one side, I’m Nigerian, and on the other side, I’m British,” she says in Yoruba.Īs a London-born woman of Nigerian heritage, this line resonates with me. In the voiceover, Michael’s mother talks about moving from Nigeria to the UK. Many greet her as they would someone older or of a higher position back home, kneeling in various forms. People on the streets, in their homes and in parks, stop to ogle as the majestic woman travels around the neighbourhood in traditional Yoruba attire. In the four and half minute-long film, Entitled (2018), by the Nigerian-born British filmmaker Adeyemi Michael, the director’s mother rides a large black horse around the streets of Peckham dressed in purple and gold - colours associated with luxury and royalty both in the UK and Nigeria.

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